Analysis of Wong Kar-Wai’s Film Narrative Style in Ashes of Time

 Li Yang

Analysis of Wong Kar-Wai’s Film Narrative Style in Ashes of Time

Keywords : Wong Kar-Wai, Ashes of Time, Film Narrative Style


Abstract

The film Ashes of Time, released in 1994, holds great significance as the first martial arts film directed by Wong Kar-Wai. This article interprets the intricate narrative structure of the film and analyzes the story of love, hate, and complex emotions portrayed through the interplay of temporal ashes and spatial fragments, which are constructed by the multifaceted relationships among characters such as Ouyang Feng, Huang Yaoshi, Murong Yin, Hong Qi, and The Woman. The aim is to analyze Wong Kar-Wai's unique filmmaking style and provide new insights into interpreting his directorial approach.

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